Search results
Results from the WOW.Com Content Network
Tone in an artistic context refers to the light and dark values used to render a realistic object, or to create an abstract composition. When using pastel , an artist may often use a colored paper support, using areas of pigment to define lights and darks, while leaving the bare support to show through as the mid-tone.
The difference in values is often called contrast, and references the lightest (white) and darkest (black) tones of a work of art, with an infinite number of grey variants in between. [6] While it is most relative to the greyscale, though, it is also exemplified within colored images.
The ground is also used to highlight the colors, [1] and its color and tone affect the appearance of paint levels above, therefore the painters might have individual preferences for the color of the ground: 19th century artists, especially the impressionists, preferred the white ground (first used by J. M. W. Turner [2]), while Rembrandt ...
A tone is produced either by mixing a color with gray, or by both tinting and shading. [1] Mixing a color with any neutral color (including black, gray, and white) reduces the chroma , or colorfulness , while the hue (the relative mixture of red, green, blue, etc., depending on the colorspace) remains unchanged.
Meantone refers to meantone temperament, where the whole tone is the mean of the major third. In general, a meantone is constructed in the same way as Pythagorean tuning, as a stack of fifths: the tone is reached after two fifths, the major third after four, so that as all fifths are the same, the tone is the mean of the third.
A tone in a contour-tone language which remains at approximately an even pitch is called a level tone. Tones which are too short to exhibit much of a contour, typically because of a final plosive consonant, may be called checked, abrupt, clipped, or stopped tones. It has been theorized that the relative timing of a contour tone is not distinctive.
The first printed photo using a halftone in a Canadian periodical, October 30, 1869 A multicolor postcard (1899) printed from hand-made halftone plates. While there were earlier mechanical printing processes that could imitate the tone and subtle details of a photograph, most notably the Woodburytype, expense and practicality prohibited their being used in mass commercial printing that used ...
In printmaking, surface tone, or surface-tone, [1] is produced by deliberately or accidentally not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. Tone in printmaking meaning areas of continuous colour, as opposed to the linear marks made by an engraved or drawn line.