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  2. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    The maximum dynamic range of a 16-bit system is about 96 dB, [10] while for 24 bit it is about 144 dB. Dither can be used in audio mastering to randomize the quantization error, and some dither systems use Noise shaping to spectral shape of the quantization noise floor. The use of shaped dither can increase the effective dynamic range of 16-bit ...

  3. Line level - Wikipedia

    en.wikipedia.org/wiki/Line_level

    The nominal level and the reference voltage against which it is expressed depend on the line level being used. While the nominal levels themselves vary, only two reference voltages are common: decibel volts (dBV) for consumer applications, and decibels unloaded (dBu) for professional applications. The decibel volt reference voltage is 1 V RMS ...

  4. Decibel - Wikipedia

    en.wikipedia.org/wiki/Decibel

    The decibel originates from methods used to quantify signal loss in telegraph and telephone circuits. Until the mid-1920s, the unit for loss was miles of standard cable (MSC). 1 MSC corresponded to the loss of power over one mile (approximately 1.6 km) of standard telephone cable at a frequency of 5000 radians per second (795.8 Hz), and matched closely the smallest attenuation detectable to a ...

  5. Hearing test - Wikipedia

    en.wikipedia.org/wiki/Hearing_test

    The test is conducted in a sound booth using either a pair of foam inserts or supraural headphones connected to an external audiometer. The result of the test is an audiogram diagram which plots a person's hearing sensitivity at the tested frequencies.

  6. Audiogram - Wikipedia

    en.wikipedia.org/wiki/Audiogram

    Audiogram. An audiogram is a graph that shows the audible threshold for standardized frequencies as measured by an audiometer.The Y axis represents intensity measured in decibels (dB) and the X axis represents frequency measured in hertz (Hz). [1]

  7. Equal-loudness contour - Wikipedia

    en.wikipedia.org/wiki/Equal-loudness_contour

    The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.

  8. Sound quality - Wikipedia

    en.wikipedia.org/wiki/Sound_quality

    For example, CD audio uses 16 bits per sample, and therefore it will have quantization noise approximately 96 dB below the maximum possible sound pressure level (when summed over the full bandwidth) The amount of space required to store PCM depends on the number of bits per sample, the number of samples per second, and the number of channels.

  9. Absolute threshold of hearing - Wikipedia

    en.wikipedia.org/wiki/Absolute_threshold_of_hearing

    Auditory sensitivity changes when the duration of a sound becomes less than 1 second. The threshold intensity decreases by about 10 dB when the duration of a tone burst is increased from 20 to 200 ms. For example, suppose that the quietest sound a subject can hear is 16 dB SPL if the sound is presented at a duration of 200 ms.