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ehrwürdig for (ex-)minor clergy below the rank of subdeacon, male religious not clerics, seminarians and female religious not abbesses ("the Reverend", literally something like "the Honour Worthy"). Whether Monsignors of the first degree (that is, Chaplains of His Holiness) are hochwürdigst or hochwürdig is a borderline case.
The large number of attractive young women in Germany resulted in the notion of the Fräuleinwunder (literally: Miracle of the Miss). [ 1 ] Fräulein ( / ˈ f r ɔɪ . l aɪ n / FROY -lyne , German: [ˈfʁɔʏlaɪn] ⓘ ) is the German language honorific for unmarried women, comparable to Miss in English and Mademoiselle in French.
The male form is Pan, the feminine form is Pani. [2] Panna is sometimes used to refer to young women (comparable to Fräulein in German and Mademoiselle in French) but is becoming less common. [3] The collective is Państwo for a group of men and women, Panowie for a group of men, and Panie for a group of women. [2]
Aristophanes calls her Aphroditus, and Laevius says: Worshiping, then, the nurturing god Venus, whether she is male or female, just as the Moon is a nurturing goddess. In his Atthis Philochorus, too, states that she is the Moon and that men sacrifice to her in women's dress, women in men's, because she is held to be both male and female. [15]
Due to the compulsory membership of all young women, except for those excluded for racial reasons, the League became the largest female youth organization at the time with over 4.5 million members. With the surrender of Nazi Germany in 1945, the organization de facto ceased to exist.
Fräulein is the German language honorific previously in common use for unmarried women, comparable to Miss in English. Fräulein may also refer to: "Fraulein" (song), a 1957 song; Fräulein, a World War II film starring Dana Wynter and Mel Ferrer; Das Fräulein, a 2006 film
On the other hand, the women in the tales who do speak up are framed as wicked. Cinderella's stepsisters' language is decidedly more declarative than hers, and the woman at the center of the tale "The Lazy Spinner" is a slothful character who, to the Grimms' apparent chagrin, is "always ready with her tongue."
Sociologists Arthur Brittan and Satoshi Ikeda describe masculinism as an ideology justifying male domination in society. [c] [20] Masculinism, according to Brittan, maintains that there is "a fundamental difference" between men and women and rejects feminist arguments that male–female relationships are political constructs. [19] [1]