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Carmen (French: ⓘ) is an opera in four acts by the French composer Georges Bizet.The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée.
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
After Bizet's death, many of his manuscripts were lost; works were revised by other hands and published in these unauthorised versions so that it is often difficult to establish what is authentic Bizet. [11] Even Carmen was altered into grand opera format by the replacement of its dialogue with recitatives written by Guiraud, and by other ...
The Toreador Song, also known as the Toreador March, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
Petite suite, orchestrations made by Bizet in 1872 of five movements from his Jeux d’enfants; Scènes bohémiennes, an orchestral suite made by Bizet in 1874 from his opera La jolie fille de Perth; Suite No. 1 from the above-listed incidental music for Daudet’s L’Arlésienne, compiled in 1872 by Bizet himself
Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre.
Dance is a primordial force in “Carmen,” French choreographer-turned-director Benjamin Millepied’s debut. Vaguely inspired by Georges Bizet’s 19th century opera of the same name, the ...
This is a discography of audio and video recordings of Carmen, a French-language opera by Georges Bizet. The opera premiered at the Opéra-Comique in Paris on 3 March 1875. Carmen is one of the most frequently recorded operas, dating back to a near-complete German acoustical recording in 1908.
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