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  2. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.

  3. Overtones tuning - Wikipedia

    en.wikipedia.org/wiki/Overtones_tuning

    In open-G tuning (G,G,D,G,B,D), the 3 (B) of the open-G major-triad is on string 2. If we barre or use a slide to play the IV chord (C) at fret 5, the 3 of that chord (E) is still on string 2 ... as it will be when we slide up to the V chord, or the bVII chord, or the octave.

  4. Open G tuning - Wikipedia

    en.wikipedia.org/wiki/Open_G_tuning

    Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high).

  5. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally ...

  6. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    G tuning – G-C-F-A ♯-D-G / G-C-F-B â™­-D-G Four and a half steps down from standard tuning. Used by the doom metal band Warhorse and the brutal death metal band Mortician and the sludge metal project Foreigns.

  7. Classical guitar technique - Wikipedia

    en.wikipedia.org/wiki/Classical_guitar_technique

    Free-stroke , in which the finger does not land on the string behind, but, rather, continues until the energy of the stroke is dissipated. Rest stroke is useful for single-line melody playing. Free-stroke is mainly used in arpeggio ("broken-chord") playing. They are often combined to provide contrasting voices, between melody and harmony.

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