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Lines can also derive from the borders of different colors or contrast, or sequences of discrete elements. Movement is also a source of lines, where the blurred movement renders as a line. [1] Subject lines contribute to both mood and linear perspective, giving the viewer the illusion of depth. Oblique lines convey a sense of movement, and ...
Plaster Line: An imaginary reference line on the playing area that indicates where the proscenium arch is. Typically, the plaster line runs across the stage at the back face (upstage face) of the proscenium wall. Portal or Proscenium Arch: An open frame on a proscenium stage that divides the audience from the stage in traditional Western theatres.
An act is a major division of a theatre work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. [1] [2] The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) [3] or a unit of analysis for dividing a dramatic work into sequences.
Sections are visually separated from each other with a section break, typically consisting of extra space between the sections, and sometimes also by a section heading for the latter section. They are a concern in the process of typography and pagination , where it may be desirable to have a page break follow a section break for the sake of ...
The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors and casting (collectively referred to as "above-the-line") and the rest of the film crew or production team. [16] best boy. A woman who performs the duties of a best boy may be called a best girl.
Mise-en-scène (French pronunciation: [miz ɑ̃ sɛn] ⓘ; English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, [1] both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions.
A great sex scene can be raw and passionate, languid and romantic; it can be tinged with an air of sadness and longing, or even downright hilarious. The criteria are pretty much wide open.
The positioning of actors on stage in one scene will usually affect the possibilities for subsequent positioning unless the stage is cleared between scenes. During the blocking rehearsal, the assistant director, stage manager or director take notes about where actors are positioned and their movements on stage.