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Hugo Jaeger (18 January 1900 – 1 January 1970) was the former personal photographer of Adolf Hitler.He travelled with Hitler in the years leading up to and throughout World War II and took around 2,000 colour photographs of the German dictator and various events connected with criminal policy of Nazi Germany during the Spanish Civil War [1] and the Second World War for example the invasion ...
Corps colours, or Troop-function colours (German: Waffenfarben) were worn in the German Army (Heer) from 1935 until 1945 in order to distinguish between several branches, special services, corps, rank groups, and appointments of the ministerial area, the general staff, and the Oberkommando der Wehrmacht (OKW).
The shadows at the left edge of the photograph suggest that more German soldiers may be present. A wooden stake and a shovel are visible on the right side of the photo, indicating that the victims may have been forced to dig their own graves. [5] [6]: 77 [7] The identity of the photographer is unknown, but he was probably a German soldier.
Color poster showing the insignia, patches, hats and uniforms of the German Army. The poster features two figures: one is a German soldier wearing the gray-green wool field uniform and the other is a German soldier wearing the olive cotton tropical (Afrika Korps) uniform. Also depicted are the national emblems worn on headgear.
A color photo of Adolf Hitler listening to a German soldier In offensive operations the infantry formations were used to attack more or less simultaneously across a large portion of the front so as to pin the enemy forces ahead of them and draw attention to themselves, while the mobile formations were concentrated to attack only narrow sectors ...
Corps colours, or Troop-function colours (German: Waffenfarben) were worn in the Waffen-SS from 1938 until 1945 in order to distinguish between various branches of service, units, and functions. The corps colours were part of the pipings , gorget patches (collar patches), and shoulder boards .
Since early photographers were not able to create images of moving subjects, they recorded more sedentary aspects of war, such as fortifications, soldiers, and land before and after battle along with the re-creation of action scenes. Similar to battle photography, portrait images of soldiers were also often staged. In order to produce a ...
This photograph is in the public domain because according to the Art. 3 of copyright law of March 29, 1926 of the Republic of Poland and Art. 2 of copyright law of July 10, 1952 of the People's Republic of Poland, all photographs by Polish photographers (or published for the first time in Poland or simultaneously in Poland and abroad) published ...
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