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In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss. ) is a glide from one pitch to another ( Play ⓘ ). It is an Italianized musical term derived from the French glisser , "to glide".
An octave glissando is a glissando played on the piano by maintaining a constant distance of an octave between the thumb and finger used to execute it, and shifting the whole hand in the direction of the glissando.
Glissando / Portamento A continuous, uninterrupted glide from one note to the next that includes the pitches between. Some instruments such as the violin can make this glide continuously (portamento), while other instruments such as the harp blur the discrete pitches between the start and end notes to mimic a continuous slide (glissando).
Glissando: A glide from one pitch to another. Gruppetto : A trill or turn. Grace note : Music notation used to denote several kinds of musical ornaments, usually an appoggiatura or an acciaccatura, depending on interpretation.
In 1995, Ira Braus argued that the final sequence of Franz Liszt's 1885 piano piece Bagatelle sans tonalité could be continued to produce a Shepard scale using Hofstadter's technique. [14] In a 1967 AT&T film by Shepard and E. E. Zajac, a Shepard tone accompanies the ascent of an analogous Penrose stair. [15]
On a piano, played with the soft pedal depressed Due corde: two strings: On a piano, played with the soft pedal depressed (For why both terms exist, see Piano#Pedals.) Tre corde or tutte le corde: three strings or all the strings: Cancels una corda Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect ...
Sofia Gubaidulina, in her Sonata, instructs the pianist to use nontraditional sounds: sounds produced by a glissando performed with a bamboo stick on the piano pegs against a cluster performed on the keyboard; a "buzzing" sound created by placing the bamboo stick on vibrating strings; pizzicato effects produced by plucking the strings ...
The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron ...