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Interlaced triquetra which is a trefoil knot. The triquetra (/ t r aɪ ˈ k w ɛ t r ə / try-KWEH-truh; from the Latin adjective triquetrus "three-cornered") is a triangular figure composed of three interlaced arcs, or (equivalently) three overlapping vesicae piscis lens shapes.
Description: Triquetra interlaced with a circle (ribbons or pseudo-Celtic knotwork). This is a traditional Christian Trinitarian symbol, but similar signs are also sometimes used by new agers or neo-pagans (though more often in non-interlaced form, as in Zoso.svg, Triquetra on book cover.jpg, or Triquetra.jpg).
Knot patterns first appeared in the third and fourth centuries AD and can be seen in Roman floor mosaics of that time. Interesting developments in the artistic use of interlaced knot patterns are found in Byzantine architecture and book illumination , Coptic art , Celtic art, Islamic art , Kievan Rus' book illumination, Ethiopian art , and ...
A cross with four arms of equal length which widen to a hammer shape at the outside ends. Each arm has a triangular panel inscribed in a triquetra (three-cornered knot) pattern. There is a small square panel in the center of the cross. A symbol of the Anglican and Episcopal Churches. Celtic cross
German: Dreihasenfenster, lit. 'Window of Three Hares' in Paderborn Cathedral The three hares (or three rabbits) is a circular motif appearing in sacred sites from East Asia, the Middle East and the churches of Devon, England (as the "Tinners' Rabbits"), [1] and historical synagogues in Europe.
The Book of Kells (Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. [58], sometimes known as the Book of Columba) is an illustrated manuscript and Celtic Gospel book in Latin, [1] containing the four Gospels of the New Testament together with various prefatory texts and tables.
The discovery of all possible ways to tie a tie depends on a mathematical formulation of the act of tying a tie. In their papers (which are technical) and book (which is for a lay audience, apart from an appendix), the authors show that necktie knots are equivalent to persistent random walks on a triangular lattice, with some constraints on how the walks begin and end.
The Trinity was painted on a vertically aligned board. It depicts three angels sitting at a table. On the table, there is a cup containing the head of a calf. In the background, Rublev painted a house (supposedly Abraham's house), a tree (the Oak of Mamre), and a mountain (Mount Moriah).
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