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In the UK, use of wireless microphone systems requires a Wireless Telegraphy Act license, except for the license free bands of 173.8–175.0 MHz and 863–865 MHz. In 2013 the UK communications regulator, Ofcom, held an auction in which the UHF band from 790 MHz to 862 MHz was sold to be used for mobile broadband services. [23] [24] [25]
aptX Live is a low-complexity audio codec that is specifically designed to maximise digital wireless microphone channel density in bandwidth-constrained scenarios, such as live performance (a.k.a. Programme Making and Special Events), where the spectrum-efficiency of radio-based devices (wireless microphones, in-ear monitoring, talk-back ...
Litke’s wireless mike resembled a silver tube with “a microphone at the top, a transmitter in the middle and its battery power supply at the bottom.” [1] It was 6 inches long, 1 inch in diameter, and weighed 7 ounces; the device had a broadcast range of up to a half-mile. Two types of mikes were available: lavalier and hand-held.
Professional wireless microphones do this since the dynamic range of the microphone audio signal itself is larger than the dynamic range provided by radio transmission. Companding also reduces the noise and crosstalk levels at the receiver. [3] Companders are used in concert audio systems and in some noise reduction schemes.
Audio network technology matrix [1] Technology Development date Transport Transmission scheme Mixed use networking Control communications Topology Fault tolerance Distance Diameter Network capacity Latency Maximum available sampling rate AES47: 2002 [2] ATM: Isochronous Coexists with ATM Any IP or ATM protocol, IEC 62379: Mesh Provided by ATM
The first and simplest method is using a surround sound recording technique—capturing two distinct stereo images, one for the front and one for the back or by using a dedicated setup, e.g., an augmented Decca tree [20] —or mixing-in surround sound for playback on an audio system using speakers encircling the listener to play audio from ...
A wireless microphone with a non-diversity receiver (a receiver having only one antenna) is prone to random drop-outs, fades, noise, or other interference, especially if the transmitter (the wireless microphone) is in motion. A wireless microphone or sound system using diversity reception will switch to the other antenna within microseconds if ...
Audio feedback from microphones occurs when a microphone is too near a monitor or main speaker and the sound reinforcement system amplifies itself. Audio feedback through a microphone is almost universally regarded as a negative phenomenon, many electric guitarists use guitar feedback as part of their performance. This type of feedback is ...
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