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Brazil took a delivery of a small number of FN-made FAL rifles for evaluation as early as 1954. Troop field testing was performed with FN-made FALs between 1958 and 1962. In 1964, Brazil officially adopted the rifle, designating the rifle M964 for the year. Licensed production started shortly afterwards at IMBEL in the Itajubá plant. The ...
The MD-2 and MD-3 rifles are the result of redesigning the FN FAL to use the 5.56×45mm NATO round in place of the FAL's 7.62mm NATO chambering. The MD-2/MD-3 series externally resembles a short-barrelled FAL, but with an M16 magazine.
After the Army realized that IMBEL MD-97 could not meet the basic requirements to replace the FAL, IMBEL began to modernize the MD-97 project, but the simple modernization of the project, which used many FAL parts, was not enough to meet the needs of the Army. Special forces Imbel IA2 Soldier of the Border Brigade posing with an IA2
IMBEL-made receivers have been much in demand among American gunsmiths building FALs from "parts kits". IMBEL in 2014 offered the FAL in 9 versions: [26] M964, the standard length semi-auto and full auto. M964 MD1, short barrel semi-auto and full auto. M964 MD2, standard length semi-auto only. M964 MD3, short barrel semi-auto only.
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The final film was produced by Walt Disney Pictures, and was shown on TV in 1964. [2] Each special explored a single subject in detail. The host for the first eight films was Frank C. Baxter, a USC professor of English and television personality who played the role of "Dr. Research" (or "Dr. Linguistics" in The Alphabet Conspiracy).
Then Prime Minister Jawaharlal Nehru was not made aware of it and after he had heard it, offered to settle FN's complaints by agreeing to purchase additional Belgian-made FALs, FALOs and MAG 60.20 GPMGs. [26] In 1998 onward, Ishapore 1A1, 1A and 1C were gradually withdrawn from service and replaced by INSAS rifle.
The Naked Kiss is a 1964 American neo-noir [2] [3] melodrama film written and directed by Samuel Fuller and starring Constance Towers, Anthony Eisley, Michael Dante and Virginia Grey. [4] It was Fuller's second film for Allied Artists after his 1963 film Shock Corridor .