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Nefertem represented both the first sunlight and the delightful smell of the Egyptian blue lotus flower, having arisen from the primal waters within an Egyptian blue water-lily, Nymphaea caerulea. Some of the titles of Nefertem were "He Who is Beautiful" and "Water-Lily of the Sun", and a version of the Book of the Dead says:
The lotus is a central symbol in many Eastern cultures, which consider it to be one of the most sacred plants in the world. Lotus flowers feature in the oldest Egyptian hieroglyphics, antique ...
Lotus flower. The sacred lotus flower is an aquatic perennial plant that typically blooms vibrant petals of pink and white shades. It is one of the most beautiful plants to look at, but the lotus ...
In Egyptian mythology, Horus was occasionally shown in art as a naked boy with a finger in his mouth sitting on a lotus with his mother. The lotus was one of the two earliest Egyptian capitals motifs, the topmost members of a column. At that time, the motifs of importance are those based on the lotus and papyrus plants respectively, and these ...
On a stele representing the deity, Qetesh is depicted as a frontal nude (an uncommon motif in Egyptian art, though not exclusively associated with her), wearing a Hathor wig and standing on a lion, between Min and the Canaanite warrior god Resheph. She holds a snake in one hand and a bouquet of lotus or papyrus flowers in the other. [10] [11]
The lotus flower was included in Kaveh the blacksmith's Derafsh and later as the flag of the Sasanian Empire Derafsh Kaviani. Today, it is the symbol of Iranians Solar Hijri calendar. The lotus flower is also mentioned in the Bible. [99] The lotus flower also holds cultural and religious significance in Ismaili Muslim and related South Asian ...
Object (location) Text Relief Object 1(a) (Crypt 1-C, south wall) (Above the left snake): Words spoken by Harsomtus, the great God, who dwells in Dendera, who is in the arms of those at the prow in the Mesketet-night-barge, noble cobra, under whose Khenty-statue is Heh, whose crew carries in holiness [his] perfection, whose Ba caused the Rising [woman] to rise in the sky, whose form is revered ...
The boy Buddha appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century. In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), [3] saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.