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Gate of the Shrinathji Temple. The Nathdwara temple was built in the 17th century. [12] The temple is popularly called Shrinathji ki Haveli (House of Shrinathji). Like a regular mansion, it has a chariot for movement (the original chariot in which Shrinathji was brought to Singhar), a store room for milk (Doodhghar), a store room for betel (Paanghar), a store room for sugar and sweets ...
Shrinathji symbolizes a form of Krishna, when he lifted the Govardhan hill, with one arm raised. [11] The image is in the form of black marble, [ 1 ] where the image is revealed with his left hand raised and the right hand made into a fist resting at the waist, with a large diamond placed beneath the lips.
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Shrinathji, is a swarup of lord Krishna which resembles his 7-year-old "infant" [4] incarnation of Krishna. The deity was originally worshiped at Jatpura, Mathura [5] and was shifted in the year 1672 from Govardhan hill, near Mathura along holy river Yamuna after being retained at Agra for almost six months. Literally, Nathdwara means 'Gateway ...
Chaitanya Mahaprabhu's mode of worshipping Krishna with bhajan-kirtan and dance had a profound effect on Vaishnavism in Bengal. He is considered the chief proponent of the Vedantic philosophy of Achintya Bheda Abheda. However, the concept of inconceivable difference in non-difference, known as achintya-bhedabheda, was developed later by Jiva ...
In the evening, the haveli lightens and stages enjoyable performance of traditional dance and music of Rajasthan. The haveli looks marvelous with glowing lights in the night. Bagore Ki Haveli is a perfect place to explore the ancient architecture and life style of the royal family.
They are mainly made to hang in Hindu temples of the Pushtimarg devotional tradition, especially the Shrinathji Temple in Nathdwara, Rajasthan, built around 1672. They are hung behind the idol of Shrinathji, a local form of Krishna and the centre of Pushtimarg worship, to depict his leelas. Aurangabad was another area associated with them. [3]
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.