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Collyer, Joseph, A portrait of Benvenuto Cellini. Engraving. 26.5 cm by 14 cm. (1771) National Library, Vienna. Inventory number 8191345. In 1891, French book-publisher Eugene Plon called into question the attribution of personalities on the fresco, which had until then been regarded as authentic since the 16th century. [5]
Benvenuto Cellini (/ ˌ b ɛ n v ə ˈ nj uː t oʊ tʃ ɪ ˈ l iː n i, tʃ ɛ ˈ-/, Italian: [beɱveˈnuːto tʃelˈliːni]; 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, and author.
Portrait of a Gonfaloniere; Portrait of a Musician; Portrait of a Nun (Artemisia Gentileschi) Portrait of a Young Man (Barocci) Portrait of a Young Man (Giorgione, Budapest) Portrait of a Young Man holding a Roundel; Portrait of Alvise Cornaro; Portrait of an Actor; Portrait of Charles of Bourbon in Hunting Dress; Portraits of Benvenuto Cellini
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Portraits of Benvenuto Cellini; V. A Violent Life This page was last edited on 15 January 2024, at 17:39 (UTC). Text is available under the Creative Commons ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Nymph of Fontainebleau at the Louvre (H. 2.05 m; L. 4.09 m) [1]. The Nymph of Fontainebleau (French: Nymphe de Fontainebleau), also known as the Nymph of Anet (French: Nymphe d'Anet) or the Nymph with the Stag (French: Nymphe au cerf), is a c.‑1543 bronze relief (Paris, Louvre, MR 1706 [1]), created by the Italian sculptor Benvenuto Cellini for the Château de Fontainebleau in France.
Benvenuto Cellini, reporting a conversation with Torrigiano, relates that he and Michelangelo, while both young, were copying Masaccio's frescoes in the Carmine chapel, when some slighting remark made by Michelangelo so enraged Torrigiano that he struck him on the nose, breaking it. The disfigurement is conspicuous in all the portraits of ...