Search results
Results from the WOW.Com Content Network
According to Ross, the art of making silhouettes was very important before the era of photography, and went back to Ancient Greece. [2] He worked quickly with a pair of small scissors, cutting portraits from thin matt black card. He usually concentrated on the profile, but would also enhance the portrait by snipping out a few details.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
List of drawings by Vincent van Gogh is an incomplete collection of drawings by the Dutch artist Vincent van Gogh (1853–1890) that form an important part of his complete body of work. The listing is ordered by year and then by catalogue number .
Old Man of the Mountain Summer, 1972 – Historical Marker: "OLD MAN OF THE MOUNTAIN – 'The Great Stone Face" – 48' forehead to chin; 1200' above Profile Lake; 3200' above sea level; first seen by white men in 1805." Franconia Notch is a U-shaped valley in the White Mountains that was shaped by glaciers.
Thomas Hill (1829–1908) Mount Lafayette in Winter 1870. White Mountain art is the body of work created during the 19th century by over four hundred artists who painted landscape scenes of the White Mountains of New Hampshire in order to promote the region and, consequently, sell their works of art.
A video taken while trekking toward the large, man-made body of water through the snow-covered Sierra Nevadas shows her laughing with her friend. “Wooo!” she shouts, breath visible in the ...
The caption below the image reads "We will not allow ourselves to be made into monkeys!" Riley Black, writing for Scientific American, argues that the idea of a "march of progress", as depicted in the 1965 Time-Life illustration, dates back to the medieval great chain of being and the 19th century idea of the "missing link" in the fossil record ...