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The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert ...
spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
The first movement follows the sonata allegro format of the classical period, and borrows thematically from Beethoven's Piano Quartet No. 3 in C major, [5] WoO 36, from a decade earlier.
Chamber music: 6: 1901: Scherzo Phantastick: for 2 violins, viola and cello: Chamber music: 7: 1901: String Quintet in E minor: for 2 violins, 2 violas and cello: Chamber music: 8: 1901: Berceuse in B ♭ major: for violin or cello and piano: Concertante: 8: 1901: Berceuse in B ♭ major: for violin and string orchestra: original for violin or ...
Allegro con brio — Molto meno mosso — Piu mosso — Animato — Largamente The "lyrical, haunting second theme" of the first movement has become known as the "Interlochen Theme," [ 3 ] as it is performed at the conclusion of most public performances at the Interlochen Arts Camp ; it is seldom performed or mentioned at the Interlochen Arts ...
Allegro con spirito; Theme and variations: Cantabile; In the second quartet, the piano and the strings are equal partners. [2] It opens unusually with an Adagio assai movement. The second movement is in sonata form, in E-flat minor. Some elements seem to anticipate the last movement of the Piano Sonata No. 8, the Pathétique.
Allegro con spirito The first movement begins with a brief introduction which quickly settles to the dominant chord to prepare for the main body of the movement. The strings open the Allegro stating the main theme and the rest of the movement develops from there, with almost every statement deriving from a previous idea. [ 1 ]