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Based in Cleveland, Ohio, the label has had a long association with the Cincinnati Symphony Orchestra and the Cleveland Orchestra, as well as with the Atlanta Symphony Orchestra and the St. Louis Symphony Orchestra. Although it started as a classical music label, Telarc has released jazz, blues and country music recordings.
Cadence: The Independent Journal of Creative Improvised Music is a quarterly review of jazz, blues and improvised music. The magazine covers a range of styles, from early jazz and blues to the avant-garde. Critic and historian Bob Rusch founded the magazine as a monthly in 1976 and served as publisher and coordinating editor through 2011.
WCLV (90.3 FM) is a non-commercial educational radio station licensed to Cleveland, Ohio, carrying a fine art/classical music format. Owned by Ideastream Public Media, the station serves both Greater Cleveland and Northeast Ohio as the home station for the Cleveland Orchestra and an affiliate of the BBC World Service.
The region's only full-time classical music and jazz outlet, WCLV was founded on November 1, 1962, as a commercial radio station at 95.5 FM. [17] A complex asset and intellectual property swap on July 3, 2001, re-established WCLV on 104.9 FM as part of a long-term plan initiated by founding owners Robert Conrad and Rich Marschner to preserve the format from being subsumed by ownership ...
Red Norvo, Mainstream Jazz (Continental, 1945 [1962]) – relevant session originally under Slam Stewart; Charlie Parker, Bird Lives (Continental, 1945 [1962]) – three tracks only; Michael Bocian, I Am the Blues (Ulua Music, 1994)
The primary case for choosing the state for the museum's location was the Mississippi Delta's deep history with music. Legendary Mississippi-native musicians including Robert Johnson, B.B. King, and Elvis Presley influenced America's most accepted music styles such as the blues, jazz, hip-hop, and rock n' roll. [7]
Earl Neal Creque (April 13, 1940 – December 1, 2000) [1] was an American organist and jazz composer, born in the Virgin Islands; he was based in the Cleveland area, was a professor at the Oberlin Conservatory of Music, and played frequently around northern Ohio up until his death.
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.