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There is a strong and a weak version of the hypothesis which argue for more or less influence of language on thought. The strong version, linguistic determinism , argues that without language there is and can be no thought (a largely discredited idea), while the weak version, linguistic relativity , supports the idea that there are some ...
The distinction between a weak and a strong version of this hypothesis is also a later development; Sapir and Whorf never used such a dichotomy, although often their writings and their opinions of this relativity principle expressed it in stronger or weaker terms. [6] [7]
The distinction between a weak and a strong version of this hypothesis is also a later invention; Sapir and Whorf never set up such a dichotomy, although often in their writings their views are expressed in stronger or weaker terms. [3] [4] The two linguists were nevertheless among the first to formulate the principle of linguistic relativity.
There are a number of theories of social development that describe culture as the factor that determines all of the others. This is distinct from theories of economic determinism such as that of Marx, namely that an individual or class' role in the means of production determines outlook and cultural roles (although some Marxists reject the label "economic determinism" as an accurate ...
Strong theological determinism is based on the concept of a creator deity dictating all events in history: "everything that happens has been predestined to happen by an omniscient, omnipotent divinity." [22] Weak theological determinism is based on the concept of divine foreknowledge—"because God's omniscience is perfect, what God knows about ...
Neither of these can exist without the other because, in Saussure's notion, there are no (proper) expressions without meaning, but also no (organised) meaning without words or expressions. Language as a system does not arise from the physical world, but from the contrast between the concepts, and the contrast between the linguistic forms.
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Thus, Stanley Diamond argued that when the term "cultural relativism" entered popular culture, popular culture co-opted anthropology in a way that voided the principle of any critical function: Relativism is the bad faith of the conqueror, who has become secure enough to become a tourist.