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Classical theories of play also include concepts such as burning off excess energy, recreation and relaxation, replenishing energy after hard work, practicing future roles, and recapitulation theory. Herbert Spencer proposed that play allows humans to expend excess energy not required for survival. Modern Theories. Modern theories focus on play ...
Dramatic theory attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies. [2] Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry ...
However, in France opposition soon began to grow in the form of a Romantic movement, that wanted freedom from the strictures of the classical unities. It turned into a fierce literary conflict. The opposition included Victor Hugo, Alexandre Dumas, and others. Victor Hugo, in the preface to his play, Cromwell, criticizes the unities, saying in part,
At the end of the last play, a satyr play was staged to revive the spirits of the public, possibly depressed by the events of the tragedy. [ note 1 ] In the work of Aeschylus, comparing the first tragedies with those of subsequent years, there is an evolution and enrichment of the proper elements of tragic drama: dialogue, contrasts, and ...
Unity of time referred to the need for the entire action of the play to take place in a fictional 24-hour period; Unity of place meant that the action should unfold in a single location; Unity of action meant that the play should be constructed around a single 'plot-line', such as a tragic love affair or a conflict between honour and duty.
Another play of significance is The Marriage of Anansewa, written in 1975 by Efua Sutherland. The entire play is based upon an Akan oral tradition called Anansesem (folk tales). The main character of the play is Ananse (the spider). The qualities of Ananse are one of the most prevalent parts of the play.
Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece (the others being tragedy and the satyr play). Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, and New Comedy.
Homo Ludens is a book originally published in Dutch in 1938 [2] by Dutch historian and cultural theorist Johan Huizinga. [3] It discusses the importance of the play element of culture and society. [4]