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In Middle Byzantine architecture "cloisonné masonry" refers to walls built with a regular mix of stone and brick, often with more of the latter. The exterior of the 11th- or 12th-century Pammakaristos Church in Istanbul is an example, though it is even more renowned for Late Byzantine additions discussed below.
These brick buildings required a lot of upkeep and frequent painting. But for the cost of three paint jobs, Formstone could be applied to the building’s exterior and eliminate much of the effort to maintain the exterior brick. [8] Example of Formstone in the Little Italy neighborhood in Baltimore
A "face brick" is a higher-quality brick, designed for use in visible external surfaces in face-work, as opposed to a "filler brick" for internal parts of the wall, or where the surface is to be covered with stucco or a similar coating, or where the filler bricks will be concealed by other bricks (in structures more than two bricks thick).
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
A mason laying a brick on top of the mortar Bridge over the Isábena river in the Monastery of Santa María de Obarra, masonry construction with stones. Masonry is the craft of building a structure with brick, stone, or similar material, including mortar plastering which are often laid in, bound, and pasted together by mortar.
The appearance of rustication, creating a rough, unfinished stone-like surface, can be worked on a wooden exterior. This process became popular in 18th century New England to translate the features of Palladian architecture to the house-carpenter's idiom: in Virginia Monticello and Mount Vernon both made use of this technique. Mount Vernon in ...
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