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Writers use scare quotes for a variety of reasons. They can imply doubt or ambiguity in words or ideas within the marks, [18] or even outright contempt. [19] They can indicate that a writer is purposely misusing a word or phrase [20] or that the writer is unpersuaded by the text in quotes, [21] and they can help the writer deny responsibility for the quote. [19]
Thalassophobia (from Ancient Greek θάλασσα (thálassa) 'sea' and φόβος (phóbos) 'fear') [1] is the persistent and intense fear of deep bodies of water, such as the ocean, seas, or lakes. Though related, thalassophobia should not be confused with aquaphobia, which is classified as the fear of water itself.
The Message is a nonfiction book by American author Ta-Nehisi Coates, published on October 1, 2024, by Random House under its One World imprint. [1] The Associated Press described the book as "part memoir, part travelogue, and part writing primer". [ 2 ]
Do not judge a book by its cover; Do not keep a dog and bark yourself; Do not let the bastards grind you down; Do not let the grass grow beneath (one's) feet; Do not look a gift horse in the mouth; Do not make a mountain out of a mole hill; Do not meet troubles half-way; Do not put all your eggs in one basket; Do not put the cart before the horse
Ruth B. Bottigheimer catalogued this and other disparities between the 1810 and 1812 versions of the Grimms' fairy tale collections in her book, Grimms' Bad Girls And Bold Boys: The Moral And Social Vision of the Tales. Of the "Rumplestiltskin" switch, she wrote, "although the motifs remain the same, motivations reverse, and the tale no longer ...
The epigraphs to the preamble of Georges Perec's Life: A User's Manual (La Vie mode d'emploi) and to the book as a whole warn the reader that tricks are going to be played and that all will not be what it seems. Epigraph and dedication page, The Waste Land. J. K. Rowling's novels frequently begin with epigraphs relating to the themes explored.
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Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").