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Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
This is a list of British English words that have different American English spellings, for example, colour (British English) and color (American English). Word pairs are listed with the British English version first, in italics, followed by the American English version: spelt, spelled; Derived words often, but not always, follow their root.
Divided by a Common Language: A Guide to British and American English. Houghton Mifflin. ISBN 978-0-618-00275-7. Hargraves, Orin (2003). Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English. Oxford University Press. ISBN 978-0-19-515704-8.
Blue was a latecomer among colors used in art and decoration, as well as language and literature. [7] [verification needed] Reds, blacks, browns, and ochres are found in cave paintings from the Upper Paleolithic period, but not blue. Blue was also not used for dyeing fabric until long after red, ochre, pink and purple.
Grey (more frequent British English) or gray (more frequent American English) [2] is an intermediate color between black and white. It is a neutral or achromatic color, meaning that it has no chroma and therefore no hue. [3] It is the color of a cloud-covered sky, of ash, and of lead. [4]
Color meaning is either based in learned meaning or biologically innate meaning. The perception of a color causes evaluation automatically by the person perceiving. The evaluation process forces color-motivated behavior. Color usually exerts its influence automatically. Color meaning and effect has to do with context as well. [12]
Light spectrum, from Theory of Colours – Goethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap.. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.
Today's British English spellings mostly follow Johnson's A Dictionary of the English Language (1755), while many American English spellings follow Webster's An American Dictionary of the English Language ("ADEL", "Webster's Dictionary", 1828). [2] Webster was a proponent of English spelling reform for reasons both philological and nationalistic.