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The speaker of the poem openly describes her "zest/To bear [another person's] body's weight upon [her] breast" in a physical "frenzy" (Millay 4-5, 13). This blunt admission of female sexual desire in a woman's voice has led some readers to view the sonnet as a "frank, feminist poem" in which Millay "acknowledg[es] her biological needs as a ...
The speaker of the poem is the character Aedh, who appears in Yeats's work alongside two other archetypal characters of the poet's myth: Michael Robartes and Red Hanrahan. The three characters, according to Yeats, represent the "principles of the mind;" whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism ...
From the fear of being calumniated, Deliver me, Jesus. From the fear of being forgotten, Deliver me, Jesus. From the fear of being ridiculed, Deliver me, Jesus. From the fear of being wronged, Deliver me, Jesus. From the fear of being suspected, Deliver me, Jesus. That others may be loved more than I, Jesus, grant me the grace to desire it.
Wilde's first West End drawing room play, Lady Windermere's Fan, ran at the St James's Theatre for 197 performances in 1892. [2] He briefly moved away from the genre to write his biblical tragedy Salome, after which he accepted a request from the actor-manager Herbert Beerbohm Tree for a new play for Tree's company at the Haymarket Theatre. [3]
Montgomery did not write the poem with the intention of it being set to music. [1] It was originally written as a Christmas poem. New York City preacher George Coles set the poem to music he wrote. [1] The hymn was adopted by some Christian congregations in the United States and the United Kingdom.
The rest of the poem builds and builds until its end. The music in “The Weary Blues” is a metaphor for life as a black man. The color in the poem is symbolic of the black struggle. It starts with slave spirituals in which "slaves calculatingly created songs of double-entendre as an intellectual strategy", [6] as Hughes does in his poem ...
The poem is a Petrarchan sonnet. [13] The title of the poem and the first two lines reference the Greek Colossus of Rhodes, one of the Seven Wonders of the Ancient World, a famously gigantic sculpture that stood beside or straddled the entrance to the harbor of the island of Rhodes in the 3rd century BC. In the poem, Lazarus contrasts that ...
"If—" is a poem by English poet Rudyard Kipling (1865–1936), written circa 1895 [1] as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. [2] The poem, first published in Rewards and Fairies (1910) following the story "Brother Square-Toes", is written in the form of paternal advice to the poet's son ...