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Earl Silas Johnson IV (February 7, 1934 – April 17, 2003), [1] [2] known as Earl King, was an American singer, guitarist, and songwriter, most active in blues music. A composer of blues standards such as "Come On" (covered by Jimi Hendrix, Freddie King, Stevie Ray Vaughan) and "Big Chief" (recorded by Professor Longhair), he was an important figure in New Orleans R&B.
Trad jazz, short for "traditional jazz", is a form of jazz in the United States and Britain that flourished from the 1930s to 1960s, [1] based on the earlier New Orleans Dixieland jazz style. Prominent English trad jazz musicians such as Chris Barber , Freddy Randall , Acker Bilk , Kenny Ball , Ken Colyer and Monty Sunshine [ 1 ] performed a ...
The New Orleans Rhythm Kings in its earliest stages was the creation of the drummer Mike "Ragbaby" Stevens, solely in that he sent the first telegram to Albert Brunies about going to Chicago to form a band and find better gigs than New Orleans had to offer.
The writer-director of 'Tár' on why the end credits of the movie play at ... The way in which both Lydia Tár the character and “Tár” the film are so hard to pin down, refusing easy ...
The African influence on New Orleans music can trace its roots at least back to Congo Square in New Orleans in 1835, when enslaved people would congregate there to play music and dance on Sundays. African music was primarily played as well as local music from varying sources such as adapted work songs, African American spirituals, and field ...
Like most blues, New Orleans R&B typically follows a standard three-stanza form that contains tonic, subdominant, and dominant chords. Within these chords, the three "blue notes", also known as flatted notes, are the third, fifth, and seventh scale degrees. In New Orleans R&B, the flatted third is particularly notable. [5]
That is why for this coming New Year I have made it my resolution to continue the fight for a better Chicago from my tiny corner in the city. Trump may be the president, but he is nothing without ...
The "Chicago style" of jazz originated in southern musicians moving North after 1917, bringing with them the New Orleans "Dixieland" or sometimes called "hot jazz" styles. [10] Dixieland largely evolved into Chicago style in the late 1910s and the new style was popularly called that name by the early 1920s. [11]