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Duchamp subsequently submitted the painting to the 1913 Armory Show in New York City, where Americans, accustomed to naturalistic art, were scandalized. The painting, exhibited in the 'Cubist room', was submitted with the title Nu descendant un escalier, [19] was listed in the catalogue (no. 241) with the French title. [20]
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913. This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism, conceptual art, and Dada.
Cubism is an early-20th-century avant-garde art movement begun in Paris ... Both Duchamp in 1912 and Picabia from 1912 to 1914 developed an expressive and allusive ...
Marcel Duchamp, 1913. Tulip Hysteria Co-ordinating (also referred to as Tulip Hysteria Coordinating) is a fictitious work of art by Marcel Duchamp.. During early 1917, rumor spread that Duchamp was working on a Cubist painting titled Tulip Hysteria Co-ordinating, in preparation for the largest exhibition of modern art ever to take place in the United States; the "First Annual Exhibition" of ...
Jean Metzinger and the Duchamp brothers were passionately interested in mathematics. Jean Metzinger, Juan Gris and possibly Marcel Duchamp at this time were associates of Maurice Princet, [11] an amateur mathematician credited for introducing profound and rational scientific arguments into Cubist discussions. [10]
In the house were hung cubist paintings by Marcel Duchamp, Albert Gleizes, Fernand Léger, Roger de La Fresnaye, and Jean Metzinger (Woman with a Fan, 1912). While the geometric decoration of the plaster façade and the paintings were inspired by cubism , the furnishings, carpets, cushions, and wallpapers by André Mare were the beginning of a ...
Miró first saw this work by Duchamp in 1912, during the Cubist art exhibition held at Galeries Dalmau in Barcelona. [7] [8] Muybridge's idea of a woman on a staircase caught the imagination of not only Duchamp and Miró but also Miró's contemporary Salvador Dalí who created a homage to Duchamp's painting.