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Knitting basketweave stitch (unblocked) In knitting, a basketweave pattern is characterized by intersecting ribs and welts.. In its simplest form, basketweave is composed of a checkerboard pattern of identical rectangles that alternate between stockinette stitch and reverse stockinette stitch. [1]
A diagram of a long basket weave knot on a 2×5 grid. A basket weave knot is made up of two sets of parallel lines drawn inside a rectangle such that the lines meet at the edges of the rectangle. For a true basket weave knot that can be tied with two strands, the number of intersections in each direction cannot have a common divisor.
It consists of multiple horizontal strands and vertical strands, resulting in a square pattern associated with woven baskets. It is used in the following textile arts: Basket weaving; Basketweave in weaving; Basketweave in knitting; Basketweave in knot making; Basketweave as a variant of tent stitch in needlepoint; Basketweave in crochet
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
Structure of basketweave fabric, with each thread traveling over two, then under two threads of the opposing direction. Basketweave or Panama weave [1] is a simple type of textile weave.
The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve her complex designs, she carefully sketches them out before weaving. [5]
McKay claimed that weaving, for her, was a spiritual path rather than a craft. [5] She claimed she was strictly instructed by Spirit as to how and what to weave. [5] Because of the sacred nature of her weaving, she usually wove in private. [4] In keeping with Pomo tradition, she used sedge for her baskets and redbud for the red designs.
She is best known for her sweetgrass basket weaving using traditional methods combined with contemporary designs. A native of coastal South Carolina and a descendant of generations of Gullah basket weavers, Jackson was awarded a MacArthur Foundation fellowship in 2008 for "pushing the tradition in stunning new directions."
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