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Sir John Milbanke, British envoy in Munich (⚭ 1843) [11] 71 × 59 cm 1844 Josepha Conti (1823–1881) Anton Conti (⚭ 1840, soon abandoned her) 71.5 × 58.5 cm 1844 Alexandra Amalie of Bavaria (1826–1875) 70.5 × 59.2 cm 1845 Archduchess Auguste Ferdinande of Austria (1825–1864) Prince Luitpold von Bayern (⚭ 1844) 70.2 × 59 cm 1845
The term may also be used in reference to regalia of the various constitutive German monarchies that sprang from the Holy Roman Empire and later were unified in the German Empire. Since the end of the German monarchies in 1918, the regalia and jewels of the different states have been kept in museums since all of Germany remains under republican ...
The Night of the Amazons (German title: Nacht der Amazonen) was the name of a Nazi propaganda event that was held annually in Munich in the Nymphenburg Palace Park in the 1930s. [ 1 ] [ 2 ] [ 3 ] The events were held on 27 July 1936, 31 July 1937, 30 July 1938 and 29 July 1939, and were the evening highlight of the International Horse Racing ...
Bavarian King's Crown Royal regalia of Bavaria. The Bavarian Crown Jewels are a set of crown jewels created for the Kingdom of Bavaria, which existed from 1806 to 1918.In 1806, as part of his wholescale re-ordering of the map of Europe, Emperor Napoléon I of the French upgraded the independent German duchy of Bavaria to full kingdom status.
The regalia includes: . Crown of William II (1889), or the Hohenzollern Crown, is the only piece dating from the imperial period, but is very similar to older crowns.; In the absence of further state regalia for the German Empire (1871–1918), the older royal Prussian Crown Jewels were sometimes also regarded as the German Crown Jewels:
Crown of Bavaria. The Crown of the King of Bavaria is a part of the Bavarian Crown Jewels.. In 1806 Napoleon raised Bavaria to kingdom status, [1] Maximilian I ordered the crown and the regalia which can be seen today in the Treasury at the Residenz in Munich. [2]
The Pinakothek der Moderne unifies the Bavarian State Collection of Modern and Contemporary Arts, the National Collection of Works on Paper and the Museum for Design and Applied Arts with the Munich Technical University's Museum of Architecture in one building and is deemed one of the most important and popular museums of modern art in Europe ...
On 1 May 1920, Diebitsch joined the Nazi Party (NSDAP). His membership number was 1,436. From 1920 to 1923 he was a member of the Freikorps (Free Corps). Two years after the Beer Hall Putsch Diebitsch went on to complete his formal art training in 1925, followed by several years of living and working in Munich as a painter and graphic artist.