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Music theorist Brian Kane, in his book Sound Unseen notes that Schaeffer states, "the sound object, is never revealed clearly except in the acousmatic experience.” Schaeffer's theory of acousmatic experience, the sound object, and a technique he called reduced listening ( écoute réduite ) utilizes a phenomenological approach derived from ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Musical acoustics or music acoustics is a multidisciplinary field that combines knowledge from physics, [1] [2] [3] psychophysics, [4] organology [5] (classification of the instruments), physiology, [6] music theory, [7] ethnomusicology, [8] signal processing and instrument building, [9] among other disciplines.
Room acoustics is a subfield of acoustics dealing with the behaviour of sound in enclosed or partially-enclosed spaces. The architectural details of a room influences the behaviour of sound waves within it, with the effects varying by frequency.
Helmholtz resonator, p. 121, fig. 32. On the Sensations of Tone as a Physiological Basis for the Theory of Music (German Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik), commonly referred to as Sensations of Tone, is a foundational work on music acoustics and the perception of sound by Hermann von Helmholtz.
When sound from a loudspeaker collides with the walls of a room, part of the sound's energy is reflected back into the room, part is transmitted through the walls, and part is absorbed into the walls. Just as the acoustic energy was transmitted through the air as pressure differentials (or deformations), the acoustic energy travels through the ...
The absorption coefficient of a material is a number between 0 and 1 which indicates the proportion of sound which is absorbed by the surface compared to the proportion which is reflected back to the room. A large, fully open window would offer no reflection as any sound reaching it would pass straight out and no sound would be reflected.
Geometrical acoustics is an approximate theory, valid in the limiting case of very small wavelengths, or very high frequencies. The principal task of geometrical acoustics is to determine the trajectories of sound rays. The rays have the simplest form in a homogeneous medium, where they are straight lines. If the acoustic parameters of the ...
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