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German: Dreihasenfenster, lit. 'Window of Three Hares' in Paderborn Cathedral The three hares (or three rabbits) is a circular motif appearing in sacred sites from East Asia, the Middle East and the churches of Devon, England (as the "Tinners' Rabbits"), [1] and historical synagogues in Europe.
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
Main article: Geoffrey Webb (artist) Webb's maker's mark, from a window in Holy Trinity Church, Coventry, West Midlands The Nativity window in St Nicholas' Church, Thames Ditton, Surrey The following is a list of the extant works of Geoffrey Fuller Webb (1879–1954), an English stained-glass artist and designer of church furnishings, based for most of his career in East Grinstead. He was a ...
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
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