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Kachapi veena, now called Kachua sitar, built with a wooden model of a turtle or tortoise as a resonator. [35] Kinnari veena, one of three veena types mentioned in the Sangita Ratnakara (written 1210–1247 CE) by Śārṅgadeva. The other two mentioned were the Ālāpiṇī vīṇā and the Eka-tantri vina.
Surbahar (Hindi pronunciation: [s̪urbəhɑːr]; transl. Springtime of Notes) [1] sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of the Indian subcontinent. It is closely related to the sitar, but has a lower pitch. Depending on the instrument's size, it is usually pitched two to five whole ...
Most importantly, there are some differences in preferences for the positioning of sympathetic (taraf) string pegs (see photo). Amongst all sitar styles, there are student styles, beginner models, semi-pro styles, pro-models, master models, and so on. Prices are often determined by the manufacturer's name and not by looks alone or materials used.
The veena has a five-octave range. Two plectrums identical to those used for sitar are worn on the middle and index fingers of the right hand to pluck the strings, and a glass ball (batta) is moved with the left across the main strings to create melody (there can be a distance of up to two inches between notes). Coconut oil is put on the ...
The approach to tuning is similar to the sitar in the context of the 11-12 sympathetic resonance strings (from the low Pa to high Sa), similar to the Saraswati veena in the context of the three drone (tala) strings (Sa-Pa-Sa), but is unique in terms of the top-layer main playing six strings, which are configured as 3 tonic strings (sa), 2 fifth ...
As with movable do solfege, the notes are heard relative to an arbitrary tonic that varies from performance to performance, rather than to fixed frequencies, as on a xylophone. The fine intonational differences between different instances of the same swara are called srutis. The three primary registers of Indian classical music are mandra ...
Plucking is a method of playing on instruments such as the veena, banjo, ukulele, guitar, harp, lute, mandolin, oud, and sitar, using either a finger, thumb, or quills (now plastic plectra) to pluck the strings. Instruments normally played by bowing (see below) may also be plucked, a technique referred to by the Italian term pizzicato.
The veena's large resonator is placed on the floor, beyond the right thigh. Like the sitar, the left hand technique involves playing on the frets, controlled pushing on the strings to achieve higher tones and glissandi through increased tension, and finger flicks, all reflecting the characteristics of various ragas and their ornamentation ...