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One of the best known metrical versions of Psalm 23 is the Christian hymn, "The Lord's My Shepherd", a translation first published in the 1650 Scottish Psalter. [21] Although widely attributed to the English Parliamentarian Francis Rous , the text was the result of significant editing by a translating committee in the 1640s before publication ...
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The Lord Is My Shepherd is a sacred choral composition by John Rutter, a setting of Psalm 23. The work was published by Oxford University Press in 1978. [1] Marked "Slow but flowing", the music is in C major and 2/4 time. [2] Rutter composed it for Mel Olson and the Chancel Choir of the First United Methodist Church in Omaha, Nebraska. [2]
The main theme of Psalm 23 is to represent God as a Shepherd there to guide mankind as a shepherd guides his sheep. Sidney also mentions being led up a "righteous path"[1]. [21] This creates a theme of faith and dutiful worship to God, almost as a show of gratitude for keeping his "sheep" safe.
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire. [1]
The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome. The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep. Similar imagery is used in Psalm 23 and Ezekiel 34:11–16.
The New York Giants’ historic drought is finally over. Tre Hawkins picked up his first career interception early in the second half of their 14-11 loss to the New Orleans Saints on Sunday afternoon.
The King of Love My Shepherd Is is an 1868 hymn with lyrics written by Henry Williams Baker, based on the Welsh version of Psalm 23 and the work of Edmund Prys. [1] [2] [3] It is most often sung to one of four different melodies: "Dominus Regit Me", composed by John Bacchus Dykes, a friend and contemporary of Henry Williams Baker.
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