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Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies. [1] It is the study of poetic metres and verse in Sanskrit. [1] This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as Chandas.
Laghu Parashari, also known as Jataka Chandrika, is an important treatise on Vimshottari dasha system and is based on Bṛhat Parāśara Horāśāstra.Written in Sanskrit in the usual Sloka format, it consists of forty-two verses divided into five chapters.
The Jataka tales are a voluminous body of literature concerning the stories of previous births of Gautama Buddha.Following is the list of Jataka tales mentioned in Buddhist literature or mythology.
Through the 1960s, under its founding editor Balkrishna Rao and later under Rajendra Awasthi, Kadambini and a few other leading publications of the time, started publishing short stories (laghu katha) by leading writers like Agyeya, Mahadevi Verma, Kunwar Narayan and Ramanada Doshi.
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves priest -narrators ( kathavachak or vyas ) who recite stories from Hindu religious texts , such as the Puranas , the Ramayana or Bhagavata Purana , followed by a commentary ( Pravachan ).
In many cases, the Laghu-Prabandha-Saṅgraha version appears to be the oldest, being simpler, less polished, and more archaic in language. [5] This does not mean that the compiler of the Laghu-Prabandha-Saṅgraha was the original writer of the stories: he may have borrowed the stories from older literature or oral tradition. [6]
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[28] [30] These plays are written in a particular format that helps identify the "action" and the "dialogue" parts of the performance. [30] The Sloka part is the metrical verse, written in third person – often entirely in Sanskrit - describing the action part of the choreography. [2] [30] The Pada part contains the dialogue part. [30]