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Kamavardhani (pronounced kāmavardhini – కామవర్ధిని/ ಕಾಮವರ್ಧಿನಿ/ காமவர்தினி / कामवर्धिनि) is a ragam in Carnatic music (musical scale of South Indian classical music).
Tamil prosody defines several metres in six basic elements [1] covering the various aspects of rhythm. Most classical works and many modern works are written in these metres. Tolkappiyam represents the older tradition in Tamil prosody while yapparungalam and yapparungalakkarigai represent the later tradition. The prosodic structure of literary ...
Tamil phonology is characterised by the presence of "true-subapical" retroflex consonants and multiple rhotic consonants.Its script does not distinguish between voiced and unvoiced consonants; phonetically, voice is assigned depending on a consonant's position in a word, voiced intervocalically and after nasals except when geminated. [1]
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
However the literal meaning in Tamil of the word Perumal is "Great God" or "Great Man". The worship of Murugan has strong roots in Tamil Nadu. According to Tamil legends, Murugan was the brave warrior who defeated the powerful demon Surapadman, [5] and was seen as being the epitome of youth, compassion and beauty. Arunagirinathar's songs build ...
PaN (Tamil: பண்) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient pans over centuries evolved first into a pentatonic scale. But from the earliest times, Tamil Music is heptatonic and known as ēḻisai (ஏழிசை).
It is a audava-vakra-sampurna rāgam (or owdava, meaning pentatonic in ascending scale), [1] where vakra indicates the zig-zag nature of jumping notes in descending scale. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
This marked the beginning of commentaries in Tamil literary tradition, which reached it peak between the 10th and 15th centuries. [10] Commentaries had a humble beginning in the history of Tamil literature. [11] The earliest commentaries were more of glossaries listing the meanings of difficult terms appearing in poetries. [11]