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A rastrum (pl. rastra) or raster is a five-pointed writing implement used in music manuscripts to draw parallel staff lines when drawn horizontally across a blank piece of sheet music. The word "raster" is derived from the Latin for "rake".
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Manuscript paper (sometimes staff paper in U.S. English, or just music paper) is paper preprinted with staves ready for musical notation. [1] A manuscript is made up of lines and spaces, and these lines and space have their names depending on the staves (bass or treble). Manuscript paper is also available for drum notation and guitar tabulature ...
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
The lines and spaces are numbered from bottom to top; the bottom line is the first line and the top line is the fifth line. The musical staff is analogous to a mathematical graph of pitch with respect to time. Pitches of notes are given by their vertical position on the staff and notes are played from left to right.
S. Sacred Harp; Scientific pitch notation; Segue; Shakuhachi musical notation; Shape note; Sharp (music) Sheet music; Shorthand for orchestra instrumentation
In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise (sharp, ♯) or a half-step lowering (flat, ♭). This is the most common way ...
In discussing three-note slides, Türk states that the character of the slide is wholly dependent on the mood of the music: a lively work will suggest a fast slide, and a "sorrowful" work will be the appropriate place for a slower decoration. [11] He states that the three-note slide is used primarily on the strong beat.
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