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They met in 1967, just before Sabarsky opened his Serge Sabarsky Gallery at 987 Madison Avenue. The gallery quickly earned a reputation as New York’s leading gallery for Austrian and German Expressionist art, and Lauder was a frequent visitor and client. Over the years, the two men discussed opening a museum to showcase the very best work ...
The Green Gallery was an art gallery that operated between 1960 and 1965 at 15 West 57th Street in Manhattan, New York City. The gallery's director was Richard Bellamy , and its financial backer was the art collector Robert Scull . [ 1 ]
At the beginning of every year since the 1950s, New York's old guard has scurried dutifully to the Park Avenue Armory for a smattering of some of the finest antiques on this side of the Atlantic ...
In the late 1980s he also undertook tattoo art, opening Tattoo Seen, a tattoo parlor [1] which became one of the most successful studios in New York City. [ citation needed ] His more recent work includes three-dimensional sculpture, mixed media work with reclaimed or discarded materials (often found in the street), and a series of hand-painted ...
Four years later, The New York Times wrote that Jin brought "the era of (forced) Communist propaganda art to a virtual end," and called her "one of [the Galleries'] most successful artists." [53] December 13, 1988: "New York: Empire City in an Age of Urbanism, 1875-1945," an exhibition to benefit the Soviet-American Cultural Exchange Program.
In the fall of 1980, James R. Borynack, then a company senior vice president (and future owner of the company), bought the Wally Findlay Galleries in New York as the first franchisee. [5] That same year, Louis Stern franchised the Beverly Hills branch. [6] In 1984, with the franchise system breaking down, Findlay again bought 100% of the ...
To which is added an account of Méryon and his work, by Frederick Keppel, New York 1886. In the following year he translated Alfred Lebrun's catalogue of the etchings, heliographs, lithographs, and woodcuts done by Jean François Millet, New York 1887. He wrote Modern Disciples of Rembrandt, A Sketch of Contemporary Etching, New York, 1890.