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The DVD format uses the 48 kHz sampling rate, and its doublings. In digital audio, 48,000 Hz (also represented as 48 kHz or DVD Quality) is a common sampling rate. It has become the standard for professional audio and video. 48 kHz is evenly divisible by 24, a common frame rate for media, such as film, unlike 44.1 kHz. [i]
48,000 Hz: The standard audio sampling rate used by professional digital video equipment such as tape recorders, video servers, vision mixers and so on. This rate was chosen because it could reconstruct frequencies up to 22 kHz and work with 29.97 frames per second NTSC video – as well as 25 frame/s, 30 frame/s and 24 frame/s systems.
This sample rate has become the standard rate for professional audio. [2] Until recently [ when? ] , sample rate conversion between 44,100 Hz and 48,000 Hz was complicated by the high ratio number between the rates of these as the lowest common denominator of 44,100 and 48,000 is 147:160, but with modern [ vague ] technology this conversion is ...
Method 2 will work in more general cases, e.g. where the ratio of sample rates is not rational, or two real-time streams must be accommodated, or the sample rates are time-varying. See decimation and upsampling for further information on sample-rate conversion filter design/implementation.
The Nyquist–Shannon sampling theorem is an essential principle for digital signal processing linking the frequency range of a signal and the sample rate required to avoid a type of distortion called aliasing. The theorem states that the sample rate must be at least twice the bandwidth of the signal to avoid aliasing.
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
The audio bit rate for a Red Book audio CD is 1,411,200 bits per second (1,411 kbit/s) or 176,400 bytes per second; 2 channels × 44,100 samples per second per channel × 16 bits per sample. Audio data coming in from a CD is contained in sectors, each sector being 2,352 bytes, and with 75 sectors containing 1 second of audio.
Adaptive Multi-Rate Wideband audio (ITU-T G.722.2) RFC 4867 dynamic (or profile) AMR-WB+ audio 1, 2 or omit 72000 13.3–40 Extended Adaptive Multi Rate – WideBand audio RFC 4352 dynamic (or profile) vorbis audio (various) (various) Vorbis audio RFC 5215 dynamic (or profile) opus audio 1, 2 48000 [note 3] 2.5–60 20 Opus audio RFC 7587