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A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles. [3] [4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider ...
Actress Mary Pickford with President Herbert Hoover, 1931. The most characteristic North American fashion trend from the 1930s to 1945 was attention at the shoulder, with butterfly sleeves and banjo sleeves, and exaggerated shoulder pads for both men and women by the 1940s.
Akin to the 1940s, women's fashion in the 1980s was quite masculine, which was a reflection of women wanting to be taken seriously as working professionals. The three most important designers at the start of this decade, Calvin Klein, Giorgio Armani, and Ralph Lauren, were designing clothing that was characterized by broad and square shoulders ...
In March 1936, Milgrim was honored by the New York League of Business and Professional Women for her achievements. [8] In 1941, Milgrim unveiled a new collection called "Arabesque," as it was inspired by their modest fashion. The clothes in this collection emphasized women's "tent-pole Silhouette," which means she combined many styles into one. [9]
Eveline Adelheid von Maydell (née Frank; 19 May 1890 in Tehran – 24 December 1962 in Sintra) was an ethnic German silhouette artist. Born in Iran, she studied drawing in Pärnu, Estonia, in Riga, Latvia and in St. Petersburg, Russia. She moved to the United States in 1922. [1]
From the 1940s, pictures of pin-up girls were also known as cheesecake in the U.S. [1] [2] The term pin-up refers to drawings, paintings, and photographs of semi-nude women and was first attested to in English in 1941. [3] Images of pin-up girls were published in magazines and newspapers. They were also displayed on postcards, lithographs, and ...
Shoulder pads made their next appearance in women's clothing in the early 1970s, through the influence of British fashion designer Barbara Hulanicki and her label Biba. Biba produced designs influenced by the styles of the 1930s and 1940s, and so a soft version of the shoulder pad was revived.
Madame Butterfly's Illusion (Japanese: お蝶夫人の幻想, Hepburn: Ochōfujin no gensō) is a 1940 Japanese animated short. It was directed by Wagorō Arai, a dentist who created nearly a dozen short films between 1939 and 1947 in the style of silhouette animation. It is based on parts of the opera Madama Butterfly by Giacomo Puccini. [1]
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