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The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac.The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.
Abraham's Sacrifice of Isaac is a 1715 painting by the Baroque artist Federico Bencovich in the Strossmayer Gallery of Old Masters. [ 1 ] This painting shows Abraham with a knife in his hand raised to kill his son Isaac at the moment that the angel intervenes.
On that reading, in the original E version of the binding Abraham disobeys God's command, sacrificing the ram "instead of his son" (v. 13) on his own responsibility and without being stopped by an angel: "And Abraham stretched forth his hand, and took the knife to slay his son; but Abraham lifted up his eyes and looked and beheld, behind him ...
Abraham and Isaac, also known as the Sacrifice of Isaac (Italian: Sacrificio di Isacco), is an oil painting by the Venetian painter Titian. It was made in about 1543–1544 for the church of Santo Spirito , but is now in the basilica of Santa Maria della Salute .
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1930, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer .
Pages in category "Paintings of Abraham" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. A.
Ivan the Terrible and His Son Ivan on 16 November 1581 [a] is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Russian tsar Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after Ivan the Terrible had dealt a fatal blow to his son's head in a fit of anger.
The last two lines are the only ones that rhyme, and the image they paint is chilling [opinion]: an old man methodically killing the seed of Europe. It is mainly the power of this image, set out in the poem and culminating in the last two lines, that makes it haunting. The poem is among those set in the War Requiem of Benjamin Britten ...