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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
19th-century, American, minstrel music, popular music, war songs: 29,000 American popular music spanning the years 1780–1980. Johns Hopkins University: Library and Archives Canada: Sheet Music From Canada's Past: Canadian, popular music: 20,000 Patriotic and parlour songs, piano pieces, sacred music, and novelty numbers published from before ...
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
Sheet music for the song "Oregon, My Oregon" Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use ...
Tableaux de Provence ("Pictures of Provence") is a programmatic suite composed by Paule Maurice (Sept. 29, 1910 – August 18, 1967) between 1948 and 1955 for alto saxophone and orchestra, most often performed with piano accompaniment only. The work was dedicated to French saxophone virtuoso, Marcel Mule.
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
By the end of the nineteenth century, this notation was very widespread in Britain, and it became standard practice to sell sheet music (for popular songs) with the tonic sol-fa notation included. Some of the roots of tonic sol-fa may be found in items such as: the use of syllables in the 11th century by the monk Guido de Arezzo
Diálogo Sonoro ao Luar or "Moonlight Dialogue" for Alto Saxophone and Euphonium is a very unique work written by one of the main 20th c. Brazilian composers Francisco Braga (published in 1946). Besides its unique instrumentation it displays techanical and lyrical qualities of both the modern sax and euphonium at the same time.
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