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I of Glass' Concerto Project, a set of eight concerti by the composer. A typical performance of the work lasts 25–28 minutes. [ 1 ] It was written for Jonathan Haas and later recorded by Evelyn Glennie , and was premiered by Haas and Svet Stoyanov with the American Symphony Orchestra in Avery Fisher Hall , Lincoln Center , conducted by Leon ...
The opening movement begins with a broad statement by the piano and orchestra, working in unison to form a collaboration of orchestral minor chords and a whirling series of piano triplets shifting between minor and major modes. The agitated introduction settles onto a simple but expressive main theme punctuated by the tambourine.
These concerti are therefore a high-point of Glass' classical direction: they demonstrate a distinct combination of Postmodernist methods and older, more conventional repertoire (incidentally, Glass' favorite composer is Schubert, whose Classical-Romantic bridging can be heard as a considerable influence on the contemporary composer's stylistic ...
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In 1994, Philip Glass wrote six seemingly ordinary piano etudes for conductor and pianist Dennis Russell Davies on the occasion of his 50th birthday. Glass also wrote them for himself. Etudes are ...
The original score was composed by Philip Glass. Not all of the music in the film was composed specifically for it: earlier music by Glass, including the "Protest" theme from his opera Satyagraha, and the Franz Kafka inspired "Metamorphosis Two" from his album Solo Piano, were also featured and credited separately at the end of the film. [1]
Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974 by the composer Philip Glass. [1]This work cycle was originally scored for ten instruments, played by five musicians: three electric organs, two flutes, four saxophones (two soprano, one alto, one tenor) and one female voice.
Glassworks is a chamber music work of six movements by Philip Glass.Following his larger-scale concert and stage works, it was Glass's successful attempt to create a more pop-oriented "Walkman-suitable" work, with considerably shorter and more accessible pieces written for the recording studio.
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