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Blurryface is the fourth studio album by American musical duo Twenty One Pilots. It was released on May 17, 2015, through Fueled by Ramen . Lyrically, the album incorporates themes of mental health, doubt, and religion.
"Heavydirtysoul" is a song by American musical duo Twenty One Pilots from their fourth studio album Blurryface (2015). It was written by vocalist Tyler Joseph, who derived some of its lyrics from a poem called "Street Poetry" which he had written and published three years earlier.
"Stressed Out" is a song written and recorded by American musical duo Twenty One Pilots. Produced by Mike Elizondo and recorded at studios in Los Angeles and London, it was released as a promotional single from their fourth studio album, Blurryface (2015), on April 28, 2015, through Fueled by Ramen.
After the American death metal band Cannibal Corpse released their debut album Eaten Back To Life in 1990, it was banned from being sold or displayed in Germany because of its graphic cover art ...
The duo's fifth studio album, Trench, was released on October 5, 2018, [4] followed by their sixth, Scaled and Icy, on May 21, 2021, [6] and their seventh, Clancy, released on May 24, 2024. They are the first and currently only artist in history to have each song from two separate studio albums (Vessel and Blurryface) certified at least gold by ...
"Lane Boy" is a song written and recorded by American musical duo Twenty One Pilots, for their fourth studio album, Blurryface. "Lane Boy" was released on YouTube worldwide on May 4, 2015, [1] [2] being released as a single on Google Play Store on the same day. [3]
The album cover shows a group of middle-aged nudists posing in the middle of a forest. The group consists of five women and three men. The album cover was completely pixelated for its iTunes release, [21] and many online news outlets overlaid a black box over the explicit areas. [22] The replacement cover for Ritual de lo Habitual.
The album was recorded in the basement studio. Due to the low budget for making the album, instead of recording real instrumentals, most of the drum beats were programmed with computer software. [4] [5] The album cover art was designed by John Rettstatt, a friend of Joseph. [6]