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Aqualung is the fourth studio album by the English rock band Jethro Tull; it was released in March 1971 by Chrysalis Records.Though it is generally regarded as a concept album, featuring a central theme of "the distinction between religion and God", the band have said there was no intention to make a concept album, and that only a few songs have a unifying theme. [4]
This is the discography of the British progressive rock band Jethro Tull who formed in Blackpool, Lancashire in 1967.Initially playing blues rock, the band's sound soon incorporated elements of British folk music and hard rock to forge a progressive rock signature.
"Aqualung" is a song by the British progressive rock band Jethro Tull, and the title track from their Aqualung (1971) album. The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching ...
The Jethro Tull Christmas Album, a collection of traditional Christmas songs and Christmas songs written by Jethro Tull, was released in 2003. It was the last studio album to be recorded by the band for nearly 20 years, and it became their biggest commercial success since 1987's Crest of a Knave .
"Cross-Eyed Mary" is a song by the British progressive rock band Jethro Tull from their album Aqualung (1971). [2] The song is about "Cross-Eyed Mary", a schoolgirl prostitute [3] who prefers the company of "leching greys" over her schoolmates. It was intended as a companion piece to "Aqualung", the opening album track about a homeless man.
Jethro Tull's frontman and songwriter Ian Anderson was infuriated when critics called the band's previous album, Aqualung (1971), a "concept album". He rejected this, thinking it was simply a collection of songs, so in response decided to "come up with something that really is the mother of all concept albums". [2]
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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]