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The free tier plays songs in its music video version where applicable. The premium tier plays official tracks of the album unless the user searches for the music video version. YouTube Music Premium and YouTube Premium subscribers can switch to an audio-only mode that can play in the background while the application is not in use. The free tier ...
Concerto for tenor saxophone and orchestra (1992)—Eric Ewazen; Concerto for tenor saxophone and orchestra with piano obbligato (2007)—David DeBoor Canfield "Graffiti Play", concerto for Tenor Saxophone, contemporary Jazz Trio (ts, bs, drs) & chamber orchestra (2014)—Esa Pietilä; Concerto for tenor saxophone and small orchestra (2015 ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Berg's tenor saxophone sound was a synthesis of rhythm and blues players such as Junior Walker and Arnett Cobb with the lyricism, intellectual freedom and soul of Wayne Shorter, Joe Henderson and John Coltrane. Berg was killed in a traffic accident in East Hampton, New York, while driving near his home with Arja, his wife. [1]
Henry Mobley (July 7, 1930 – May 30, 1986) was an American tenor saxophonist and composer. [1] Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", [2] a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with ...
Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. [ 1 ] [ 2 ] It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane .
Kenny Garrett was born in Detroit, Michigan, on October 9, 1960.He attended Mackenzie High School.His father was a carpenter who played tenor saxophone as a hobby. Garrett's own career as a saxophonist took off when he joined the Duke Ellington Orchestra, under the leadership of Mercer Ellington,
Gary Giddins stated that the song "set the music world on its ear" and that it was "part of the funky, back to roots movement that Horace Silver, Mingus, and Ray Charles helped, in different ways, to fan". [5] Jon Hendricks later added lyrics, [5] and the subsequent recording by Lambert, Hendricks & Ross made the song even more popular. [6]
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