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Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah , who co-founded the Wheelwright Museum of the American Indian .
History of the Navajo Rug, by Navajo Rug Repair Co. Towards an Understanding of Navajo Aesthetics, Kathy M’Closkey Archived 2013-04-05 at the Wayback Machine; Navajo Weaving at the Arizona State Museum: 19th Century Blankets, 20th Century Rugs, 21st Century Views – an illustrated history, with comments from Navajo weavers and museum curators
Navajo weaver with sheep Navajo Germantown Eye Dazzler Rug, Science History Institute Probably Bayeta-style Blanket with Terrace and Stepped Design, 1870–1880, 50.67.54, Brooklyn Museum Navajos came to the southwest with their own weaving traditions; however, they learned to weave cotton on vertical looms from the Pueblo peoples.
Images of the Southwest became a popular form of advertising, used most significantly by the Santa Fe Railroad to entice settlers to come west and enjoy the “unsullied landscapes”. Walter Ufer, Bert Geer Phillips, E. Irving Couse, William Henry Jackson, and Georgia O'Keeffe are some of the more prolific artists of the Southwest.
Sarouk rugs have been produced for much of the twentieth century. The early successes of the Sarouk rug are largely owed to the American market. From the 1910s to 1950s, the "American Sarouk", also known as the "painted Sarouk", was produced. American customers had an affinity for the Sarouk's curvilinear and floral designs. What they did not ...
Agriculture in the Southwest was based on the cultivation of maize, beans, squash and sunflower seeds. [9] The Tepary bean Phaseolus acutifolius has been a staple food of Native peoples in the Southwest for thousands of years on account of their tolerance of drought conditions. They require wet soil to germinate but then prefer dry conditions ...
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