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"Southern belle" (from French belle 'beautiful') is a colloquialism for a debutante or other fashionable young woman in the planter class of the Antebellum South, particularly as a romantic counterpart to the Southern gentleman.
Billy Reid (born June 13, 1964) is an American fashion designer based in Florence, Alabama. [1] [2] His line includes menswear, womenswear, accessories and eyewear.His clothing, self-described as "lived-in luxury" [3] and "broken-in luxury", [4] [5] is known for its unusual accents and Southern influence.
Depiction (from 1913) of the Royalist presence in Virginia during the reign of Oliver Cromwell over the Home Islands. Popular concepts of a Southern aristocracy originated with the heritage of the "Old South" as the colonial possessions of the British Empire, when the meteoric growth of the plantation industry led to the entrenchment of wealthy landowners as a dominant socially and politically ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Cashin, Joan E. "Torn Bonnets and Stolen Silks: Fashion, Gender, Race, and Danger in the Wartime South." Civil War History 61#4 (2015): 338-361. online On the Confederate States of America
Western wear is a category of men's and women's clothing which derives its unique style from the clothes worn in the 19th century Wild West. It ranges from accurate historical reproductions of American frontier clothing, to the stylized garments popularized by Western film and television or singing cowboys such as Gene Autry and Roy Rogers in ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837–1877, Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9 (full text available online from the Metropolitan Museum of Art Digital Collections)
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1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat.. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform.