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The additional assistant director (AAD or Additional), or fourth assistant director (4AD or "fourth"), or "key production assistant" (key PA), may have a number of duties. Most commonly, the AAD has two broad job functions. One is the contraction of the duties of an AD where the AD acts as both second AD and third AD simultaneously.
A production assistant, also known as a PA, is a member of the film crew and is a job title used in filmmaking and television for a person responsible for various aspects of a production. The job of a PA can vary greatly depending on the budget and specific requirements of a production as well as whether the production is unionized .
The film's director will select important department heads (keys) or support personnel related to their work, including the casting director, cinematographer, costume designer, production designer, and film editor. For below-the-line matters, the UPM often negotiates deals (for location, equipment, etc.) and hires the remaining crew, typically ...
Assistant Producer (AP) In the UK, assistant producer is the closest role to that of a film director. An assistant producer often doubles as an experienced researcher, and takes direct charge of the creative content and action within a programme.
In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The gaffer's assistant is the best boy electric .
Set dressers arrange objects on a film set before rolling the camera. [1] They work under the direction of a Production Designer and the Set Decorator, typically with a Leadman/Lead Person as their immediate supervisor. [2] Set dressers place furniture, hang pictures, and put out decorative items. [3]
The cinematographer oversees the camera, electrical and grip departments of a film or TV crew. Pros suggest mastering a number of jobs involving cameras and lighting as you work your way up.
The script supervisor is the primary liaison between the director (who decides what scenes are to be shot) and the editor (who is usually not present during actual filming but needs to have exact records of the filming in order to do the job of cutting the film together). The script supervisor is generally considered as part of the director's team.
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