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The Yospan dance (Indonesian: Tarian Yospan) is a type of social association dance in Papua which is a traditional dance originating from the coastal regions of Papua, namely Biak, Yapen and Waropen, which are often played by the younger people as a form of friendship. [233]
Betawi mask dance or tari topeng Betawi is a theatrical form of dance-drama of the Betawi people in Jakarta, Indonesia. [9] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [10] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
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Traditionally, sacred dances can only be performed in temples. However, new choreographies have been created due to the demand from tourists. One example, Tari Sekar Jagat (Tari means dance in the Balinese language), is a relatively new choreography that has become popular. In the newer creations, choreographers have more freedom over the moves.
[2] [4] Emiko Susilo writes, "when the dance-dramas of Majapahit came to Bali, they had the new task of preserving the tradition of a fallen dynasty" [4] (emphasis in original). It also introduced a new element of narrative to Balinese performing arts that influenced other forms of dance-drama on the island, such as topeng masked dance and arja ...
The kebyar duduk dance was first performed in 1925 and designed by I Ketut Marya (better known in the West as I Mario) of Tabanan, Bali. [1] In designing the kebyar duduk dance, I Mario was influenced by recent innovations in Balinese gamelan , which allowed interpretation of the music as well as a fast tempo.
The 2025 "No List" from the travel guide Fodor's highlights 15 places struggling with tourism, including Venice, Barcelona, and Koh Samui.
Traditional Balinese dances are sacral in nature, thus unsuited for secular performances. That these dances were used for welcoming non-Balinese, and in non-sacral contexts, was a point of controversy in the late 1960s. [1]