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The hymn has consistently been sung to a tune composed by Tullar, as originally sung in 1899. [1] Tullar originally composed the music for a different set of words, during an evangelistic campaign in Rutherford, New Jersey. [3] In his book Written Because, Tullar described how the composition had been inspired by an "almost-empty jelly dish": [2]
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
Since 1847, the hymn is usually only performed with 3 verses; [4] the most recent British Methodist hymn book, "Singing the Faith", [7] some of the additional verses are included as a separate hymn with the first line "Pray without ceasing, pray"; this was common practice in 19th century hymnals [8] In the hymn, the words "adamant and gold" are ...
[1] [2] The Salvation Army adopted the hymn as its favoured processional. [3] The piece became Sullivan's most popular hymn. [1] The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3 : "Thou therefore endure hardness, as a good soldier of Jesus Christ."
He also published two collections of hymn texts, numerous books, translations, and articles. Vajda served on hymnal commissions for Hymnal Supplement (1969) and Lutheran Book of Worship (1978). In recognition of his significant contributions to the world of Christian hymnody, Vajda was named a Fellow of The Hymn Society in the United States and ...
The hymn was first brought into public knowledge through leaflets printed by the superintendent of the local Christian school containing the words of the hymn. One of these leaflets ended up being published in a Baptist newspaper, [2] [5] [self-published source] and "Stand Up, Stand Up for Jesus" was published in The Church Psalmist in 1859. [6 ...
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
You can talk about me much as you please The more you talk, gonna stay on my knees. Keep your hand on the plow, hold on. When I get to heaven, gonna sing and shout Be nobody there to put me out. Keep your hand on the plow, hold on. I know my robe's gonna fit me well, I tried it on at the gates of Hell. Keep your hand on the plow, hold on. Hold ...