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The song is heavily guitar-driven, with soft-distortion lines doubling the melody in the chorus and long, high, sustained single notes providing atmosphere over the verses. A Rhodes electric piano, bass guitar, drums, and percussion are the only other instruments. The chorus vocal line was mimicked on Black Sabbath's "Lady Evil". [6]
"Don't You Lie to Me" (sometimes called "I Get Evil" [1]) is a song recorded by Tampa Red in 1940. [2] It became popular with blues artists, leading it to become a blues standard . [ 3 ] The song was also interpreted by rock and roll pioneers Fats Domino and Chuck Berry .
[16] [22] [23] The song has a typical verse-pre-chorus-chorus structure; it begins with a chord progression of E m –G–C. [21] The opening verses are accompanied by guitar chords and slow beats, [16] [17] [24] which is followed by her belting in the pre-chorus. [22] A guitar solo is present during the song's bridge.
" The Meanest Girl in Town", also known as "Yeah, She's Evil!" is a rock and roll song written by Joy Byers , which was recorded in June 1964 by both Elvis Presley , as "The Meanest Girl in Town" for the soundtrack to the 1965 film release Girl Happy , and by Bill Haley & His Comets as "Yeah, She's Evil!"
"Evil" is a single by the band Earth, Wind & Fire which was issued in June 1973 by Columbia Records. [1] The song peaked at No. 19 on the Billboard Easy Listening chart and No. 25 on the Hot Soul Singles chart.
A live version of Dylan's was released on Stolen Roses (Songs Of The Grateful Dead). In 2002, Norway's top country-rock band, Hellbillies covered the song on their live album Cool Tur (Cool Tour). The song was performed with Norwegian lyrics by Arne Moslåtten and is known as "Hinnmann og eg" ("The devil and I" in English).
"Evil Woman", sometimes titled "Evil Woman (Don't Play Your Games with Me)", is a song by Minneapolis–St. Paul–based band Crow, on their 1969 album Crow Music. It reached number 19 on the US Billboard Hot 100 pop chart and number 65 in Australia.
The song is in B Dorian, [4] performed in what AllMusic describes as a "brooding, sorrowfully conflicted" tone. [5]Although it is often interpreted as a ballad about unrequited love, [6] [7] Isaak has said that the song was inspired by a telephone call from a woman seeking to arrange a hook-up and is about "what happens when you have a strong attraction to people that aren't necessarily good ...