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The samba line dance is an example of a two-wall dance. While doing the "volte" step, the dancers turn 180 degrees to face a new wall. [citation needed] In a four-wall dance, the direction faced at the end of the sequence is 90 degrees to the right or left from the direction in which they faced at the beginning (quarter turn). As a result, the ...
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Jazz noir (also known as "doom jazz" or "dark jazz") is noted for its often somber, mysterious or even sinister tone. It takes inspiration from film noir soundtracks and dark ambient music. [4] 1990s -> Nu jazz [5] Music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation. 1990s ->
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
The term "música instrumental Brasileira", which literally means "Brazilian instrumental music", is used in Brazil as an umbrella term to refer to jazz as well as several instrumental forms of art music drawing on national styles such as choro, samba and bossa nova. The term's ambiguity allows for the fact that Brazilian musicians themselves ...
Afro-Brazilian music consists of a mixture of musical and cultural influences from Sub-Saharan Africa, Portugal, and on a smaller scale, Amerindian music, creating a large variety of styles. Lyrics, instruments, and even melodies often have connections to African culture and even influence culture and music in other countries today.
Bharatanatyam (Indian classical dance) Big Apple (Line dance) Bihu dance (Folk dance of Assam, India) Binasuan; Biyelgee (Mongolian) Bizhu dance; Black Bottom (see Lindy Hop) Blues (Club dance, Swing) Bolero (American Ballroom, Cuban, European) Bollywood (Indian) Bomba (Ecuador) Bomba (Puerto Rico) (African, Caribbean) Bon Odori (Japanese ...
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.